Basic Wado Principles

Wado-Ryu Karate was formed from the direct fusion of two systems – Shotokan Karate and Shinto Yoshin Ryu Ju-jitsu. Its development was also heavily influenced by the Japanese arts of Kendo and Aikido. As a result, Wado-Ryu acquired unique characteristics not inherent in other Okinawan-based karate styles. These details are best illustrated in the Kihon Kumite Kata, which are Wado-Ryu specific and reflect the very essence of the system.

The 3 Major Wado-Ryu Principles:

Noru—“To ride.” Anticipating and stifling an attack before it is fully executed. “Jamming” and stopping the attack at the beginning, or intercepting it in the middle.

Alternatively, keeping close and pursuing an opponent.

This concept lends to the Wado notion of simultaneous or close immediate counter attack.

Nagasu—“To let flow.” Not stopping an attack, but simply re-directing it. Diverting rather than opposing; sweeping rather than blocking.

Inasu—“To dodge.” Avoiding or side-stepping an attack.

Other Wado-Ryu Principles and Practical Philosophies:

Tai Sabaki – “Body Movement; Just Enough.” The principles of efficient (small but optimal) body shifts use to avoid the full brunt of attack.

Zanshin – “Awareness.” This would apply to all martial arts. However, note how the major Wado ideals require a heightened state of awareness in order to be practically executed.

Yasume – “Rest.” Being relaxed at all times except at the very moment of impact.

Irimi – “Entering.” Invading your opponents as he/she attacks or closing the gap with your own offense. This is the positive aspect of the defense. Allows one to use the opponent’s energy against him/her. Is necessary to produce a simultaneous counter attack.

Ma ai – “Proper Distance.” Controlling and maintaining the appropriate combative distance between you and the opponent (ma – distance).

Sen (Initiative)

Go No Sen – “Late Initiative.” Accepting and blocking an attack and countering after.

Sen No Sen – Meeting an attack with a simultaneous counter.

Sen Sen No Sen – “First Initiative.” Anticipating an attack and acting pre-emptively.

“Nothing Wasted”

Mudana No Chikara – no unnecessary strength/power

Mudana No Iroki – no unnecessary movement

Mudana No Waza – no unnecessary technique

San Mi Ittai

Describing the directions of body movement.

Ten I – moving away

Ten tai – twisting and avoiding

Ten gi – allowing the attack to pass, then countering